Bonnie & Maude

We admit it, the ladies of Girls aren't exactly role models.

In part 2 of our Season 2 recap, we are joined by Queerty television blogger Chris J. Kelly to review the fluctuating emotional ages of Hannah, Marnie, Jessa, and Shoshanna.

We also take a moment to discuss how believable we found the OCD revelation, why we're so obsessed with that Patrick Wilson episode, and why the 'man running to the rescue' component of the finale may not have been so bad.

Outro Music: "I Love It" by Icona Pop from the Girls Soundtrack.

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Last June we started the Bonnie & Maude podcast with a discussion of Lena Dunham's feature film Tiny Furniture and the opening three episodes of her then-brand-new show Girls.

In this episode we continue our conversation with an overview of Season 2 of Girls, sharing how our opinions have changed, evolved, or stayed the same.

Listen in as Kseniya shares her Lena Dunham nightmare, Eleanor reveals this season's Rorschach plotting, and we both contemplate why this show is worth your time.

Outro Music: "Girls" by the Beastie Boys

Bonus: Check out Part 2 of this episode, as we continue the Girls debate with writer Chris J. Kelly.

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We talk Mermaids (1990, Richard Benjamin), which combines the magnetic talents of Cher, Winona Ryder and Christina Ricci as a family unit as they move to a sleepy New England town in 1963. In many ways, this is the ultimate coming-of-age film, as young Charlotte (Ryder) deals with her eccentric mother (Cher), her major crush on the cute boy up the road, and her intense Catholic guilt. We both relate to her, in some ways more than others, and this movie's collection of quiet, hilarious moments is what keeps us watching it again and again.

Kseniya recommended the book Swimming Studies by Leanne Shapton.

Eleanor recommended an essay about the state of the modern romantic comedy, by Linda Holmes on NPR.

Join us for a screening of Mermaids at 92Y Tribeca in NYC on Thursday, March 14th. Tickets and info here!

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Ain't teenage love grand? Today, we celebrate Valentine's Day with our first-ever live episode recording where we take a closer look at the 1976 horror classic Carrie. Join us and our special guest Tenebrous Kate (Ultra Violent Magazine, I Love Bad Movies) as we giggle and cry our way through this twisted Cinderella tale. We deconstruct why this movie isn't just an American treasure, but also an accurate portrayal of teen girl friction in high school.

The podcast was originally recorded at Videology in Williamsburg, Brooklyn on February 9, 2013.

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In our first book vs. movie episode, we discuss Jane Campion's 2003 film In The Cut and how it compares to Susanna Moore's original erotic thriller, published in 1995.

Does Meg Ryan's flat, brown hair obscure her image as America's innocent sweetheart?

Is Jennifer Jason Leigh her sister or friend?

Why are all the men in the movie so obsessed with marriage?

Does it matter that we spoil the killer's identity?

All will be revealed in Episode 6!

Literary publicist and all-around bibliophile David Archer joins Bonnie and Maude for the discussion and treats us with an impeccable Meg Ryan impersonation.

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As we're finishing up editing Episode 6, please take a moment to leave a short review (or star rating) for us on iTunes. It raises our profile and makes it easier for listeners like you can discover the show more easily while browsing through iTunes' extensive catalog. The review doesn't have to be very long -- just tell us about your favorite episode, guest or interaction on the show.

Want to get in touch with us directly? E-mail us at bonnieandmaude at gmail.com

You can also find us on Facebook, Tumblr and Twitter.

Finally -- we're doing some live events and screenings in New York throughout the next several months and would love for you to join us and say hello!

In this selection of conversations that didn't make it to the Hitchcock v. Hedren episode (#5), we continue the discussion with Elliott Kalan regarding The Birds -- zooming in on the tendency to pair up blonde and brunette female characters in movies and pop culture, and the hierarchy of violence that audiences find most disturbing.

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We explore Alfred Hitchcock's classic film The Birds, as well as the recent HBO film The Girl -- a behind the scenes look at the director's messy and often abusive relationship with the star of The Birds, Tippi Hedren. What makes The Birds so scary? Does Hitchcock's gross off-screen personality affect our appreciation for his art? We'll also check in with Tippi all these years later, whose squelched acting career made way for her life's work operating the Shambala Preserve, a shelter for big cats.

Daily Show writer, host of the screening series Closely Watched Films, co-host of The Flophouse Podcast, and Hitchcock aficionado Elliott Kalan joins us for this discussion about when artist-muse relationships go wrong.

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Our first mini episode (a Bon Bon) to hold you over until we complete our next full episode. This one was recorded shortly after Episode 3 (Andy Sidaris / Hard Ticket to Hawaii) and centers around Popatopolis, a documentary about B-Movie writer/producer/director Jim Wynorski.

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The exciting conclusion of our Marilyn Monroe discussion. We dig a little deeper into Don't Bother to Knock, find out what Tom means when he calls Marilyn "so beautiful she's practically deformed," offer opinions about actresses portraying Marilyn, and give a little time to My Week with Marilyn.

Tom Blunt, the creator and host of Meet the Lady variety show and upcoming Evening Dilemma podcast, joins us.

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